14 & 15 June 2024, University of Hull (and online)

MET 2024 Conference logo

About MET 2024

Following the great success of its inaugural conference held by the University of Hull in 2010, MET2014, MET2016, MET2018 at IOE London, MET2020 (online) and MET-TMOHE 2022 (online), this 7th biennial, two-day conference (#sempreMET) was hosted by the University of Hull.

Although the 'musicking' humanity has been reliant on technology from the very beginning of its musical journey, we cannot deny that, nowadays, technology changes, develops, and its role is being redefined at a dramatically greater rate. This sempre conference aimed to celebrate technology's challenging role(s) and provide a platform for critical discourse and the presentation of scholarly work in the broader fields of digital technologies in:

  • music composition and creation
  • music performance
  • music production (recording, studio work, archival and/or communication of music)
  • diverse musical genres (e.g. popular, classical, world, etc.)
  • creativity/ies
  • real world praxial contexts (e.g. classroom, studio, etc.)
  • assessment of musical development and/or assessment of performance
  • computational musicology
  • music and Big Data
  • the music industry
  • special educational contexts/needs
  • music, health and wellbeing
  • music, LEGO ® and/or maker culture
  • AI in Music Education

The conference provided opportunities for colleagues to present and discuss ideas in a friendly and supportive environment, as well as to act as a meeting point for academics, scholars, teachers, and practitioners who are seeking to form connections and synergies with participants from around the world.

[ top ]


Scientific Committee

We are delighted to announce that the following academics formed the Scientific committee of MET2024:

Dr Julie Ballantyne The University of Queensland, Australia
Dr Noemy Berbel Gómez The University of the Balearic Islands, Spain
Professor Andrea Creech McGill University, Canada
Professor Ian Cross University of Cambridge, U.K.
Dr Francisco Cuadrado Universidad Loyola Andalucía, Spain
Dr Monica Esslin-Peard University of Liverpool, U.K.
Dr Andrea Giraldez-Hayes Imperial College London, U.K.
Professor Evangelos Himonides UCL, U.K.
Dr James Humberstone The University of Sydney, Australia
Dr Carol Johnson The University of Melbourne, Australia
Professor Andrew King University of Hull, U.K.
Professor Adam Ockelford University of Roehampton, U.K.
Dr Rosie Perkins Royal College of Music, U.K.
Dr Helen Prior University of Hull, U.K.
Dr Ross Purves UCL Institute of Education, U.K.
Dr S. Alex Ruthmann NYU, U.S.A.
Dr Mary Stakelum Royal College of Music, U.K.
Dr Cynthia Stephens-Himonides Kingston University, U.K.
Dr George Waddell Royal College of Music, U.K.
Professor Graham Welch UCL Institute of Education, U.K.
Professor Aaron Williamon Royal College of Music, U.K.
Dr Margaret Young Ohio State University at Lima, U.S.A.

The MET2024 scientific committee was responsible for the peer-review of all submissions and for deciding which papers will be accepted for publication in the official book of conference abstracts.

[ top ]


Partners and Sponsors

University of Hull

University of Hull

Conference organisation

http://www.hull.ac.uk/

University College London

UCL Institute of Education ucl

Conference organisation

https://www.ucl.ac.uk/

International Music Education Research Centre (iMerc)

imerc

Conference sponsorship

http://imerc.org/

[ top ]


Keynote Speaker

Adam Patrick Bell, Western University, Faculty of Music
Title: Generative AI Prompts In/For/As Music Production Education

[ top ]

We use cookies on this site to enhance your user experience. By clicking any link on this page you are giving your consent for us to set cookies. Find more about cookies here.